Work in the studio as it progresses thru it's many stages. Layers leading to edits, and surprises that build upon each other like a city that grows over itself many times over.
I like these newer ones. They have a nice surface and seem to focus more on "order vs. interruption." Keep it up. I am really impressed with your work ethic.
I actually have thought that I might paint the angles to a two point perspective, and with plaid combinations, and argyles, just stick around, I'll come up with plenty of things...
it's done with a very large squeegee, and compared to Golden's same products, the Daniel SMith stuff is less expensive, and works exactly the same for me[results may vary].
13 comments:
Harold,
I like these newer ones. They have a nice surface and seem to focus more on "order vs. interruption." Keep it up. I am really impressed with your work ethic.
what is that clear stuff - are you pouring it on?
Daniel Smith Acrylic Matte Medium
Impressive! No wonder some neat stuff sometimes happens on the reverse ;-)
I like how you photograph them in perspective. Have you ever thought about painting them that way?
I actually have thought that I might paint the angles to a two point perspective, and with plaid combinations, and argyles, just stick around, I'll come up with plenty of things...
Your blog came to me via a detour, side-trip, meandering . . .
Words and images, very nice. I went through a series of your photographs in which you were following "things." Felt like I was on a road trip.
Do you use Daniel Smith Acryic mediums only? How do they compare with Golden or Liquitex?
when you cover the entire surface with matte medium - how is that done?
it's done with a very large squeegee, and compared to Golden's same products, the Daniel SMith stuff is less expensive, and works exactly the same for me[results may vary].
Let's see a picture of the big squeegee. I love "behind the scenes" and "how to" stuff.
Yeah, lets see your big squeegee!
Here are some links that I believe will be interested
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